Wednesday, April 30, 2008

Euro-Music

First, sorry - it's been a long time. I've been thinking about writing, but been pretty busy and a little bit sick. In any case, I'm back!

I played at a concert this weekend that was remarkable. Not remarkable in the way that going to see U2 is remarkable, though... it's a different kind of thing.

It was billed as a gospel concert, which, in some respects it was. But in some respects, it wasn't.

It was a lot more R&B than gospel. I know that gospel and R&B share similar roots, but that doesn't make them the same. But if there's one thing I've learned, it's that Europeans LOVE gospel. You can pretty much do any kind of music you want, but if you call it gospel and encourage them to clap on all four beats, it's almost guaranteed to be a success.

The opening band (that I was playing in) was rather definitely rock. Not much of a gospel sound. Okay, we're only the support act, but I would say that if neither of the groups plays the style in question, it's probably not a good idea to bill the concert as that style.

But I'm nit-picking.

There were really a couple of things that I found interesting.

First is how popular R&B-ish kind of music is in Christian circles. Maybe I'm the only one, but this music mostly makes me think of making out. Not to be vulgar, but that's just what it sounds like. And you can put "God" in the lyrics, but it still sounds like that. This was further complicated by the fact that, during a costume-change midway, the headliner played a video of one of her tunes. It wasn't really very tightly lip-synced, had special effects that reminded me very much of the Bananarama or some such 80's band, and featured her dancing against a wall and looking a lot like she was coming on to me.

Now, granted, my senses in this respect may not be that highly refined. I'm still in training. But I'm pretty sure that's what she was thinking of when she was recording it. Normally, this wouldn't bother me so much, but the combination of "come here, baby" in her eyes and "God, thank you for saving me" in her mouth kind of threw me off.

The other thing is just how white and... well, European it was. And how very, very non-anglophone.

This is the kind of thing that's hard to really explain until you can experience it. Part of it is the aforementioned clapping on every beat. 1-2-3-4.... 1-2-3-4... it's just wrong. It's marginally less wrong than 1 & 3, but still... wrong. Still, I can't blame that on her.

The part that makes it feel most like this, I think is the lyrics. I wish I could remember better examples, but how about this line:
(blah, blah, blah, it doesn't really matter)
You are indescribable,
(blah, blah, blah... something that wasn't supposed to rhyme)
Your love is unwritable
Now, I'm not 100% sure that unwritable isn't a word. But I do know that it's not a word I would ever use in a song. The lyrics were full of little things like this that, while they weren't necessarily "wrong", just weren't.... right. The music was good, actually - she's a pretty gifted writer, but the lyrics certainly had the babblefish kind of touch to them. Things that don't really rhyme unless they're sung with an accent that it would never occur to you to sing with.

She wasn't helped by the fact that she had the lyrics put up on a screen beside her. Have you ever noticed how songs - even good songs - can sound ridiculous when you read them? Well, if you start with something a little less than bring-a-tear-to-my-eye lyrics, that effect is kind of amplified.

The other thing was the she had a projectionist who had an actual film projector set up in the balcony. The minute I saw the guy, I knew it would be trouble. Very French, very hairy, very, very artsy. Surprisingly, the film was a constant barrage of people, slightly out of focus, running off the camera, water running, and similar evocative but, let's admit it, rather meaningless things. There was only one point in the whole show that I noticed any kind of link between what he was projecting and what she was singing about. And that was not exactly masterful... she was talking about running to God, and he showed a woman starting to run... and tripping. Over, and over and over. And, of course, slightly out of focus.

Is this bad? Not necessarily, if that's what you're looking for. The down-side (besides what he was showing) was that, in order to satisfy his artistic needs, the lights on the stage were really, really low. So you could see water flowing, slightly out of focus, and the woman falling down, but you couldn't see the face of the singer.

Hmmm.

I feel exceptionally inept at describing this. Maybe it was a bad idea to even try. If you were here, I could try to distract you with a little dance or something, or I could make you some popcorn or tell a joke to make up for it. Actually, I'm not good at jokes, but I could make really, really good popcorn.

Oh well.

10 comments:

Kat(i)e said...

It's true, every word.

Before I went it was described to me as francophone White "Gospel" music. I had no idea that genre existed but it seems the market has been cornered.

My favourite bit was the costume change: 2 guys wearing white paper fedora-esque hats and the girl in complimentary black. Added a touch of class I felt.

Fun times had by all!

Anonymous said...

And yet you invited me fully knowing that it would be francophone white gospel music!! What have I ever done to you? Oh well, I shouldn't complain, at least I didn't go.
Darryl, your remark on clapping intrigues me and begs the question: IS there a right way to do this?

Darryl said...

Ah, yes. How could a white fedora POSSIBLY be a bad idea?

And Caro, it's easy. Follow the snare.

2, 4, 2, 4...

Anonymous said...

That's better. Head-banging does follow that essential rule after all. It still makes me feel a bit funny though. I can't help feeling that the audience should try and do something a little more interesting: 3, 7 8, 3, 7 8...

Darryl said...

Well, if they were listening to jazz, that would probably be okay. But there's no clapping in jazz, until after the solo, and then you're not encouraged to do it in time.

They're non-clappers, those jazz guys.

Anonymous said...

Tee hee. Non-clappers...

Seen "www.thingswhitepeoplelike.wordpress.com"? I bet it would have something about the clapping habits of white people in it.

I can't stand cheesy "Christian" R&B. There's loads of it because Nashville, ie: Christian Music USA, is in the friggin' South. So all the white Christians think they have to use it to be cool with the bruthahs. But it's pretty cheesy stuff when it's not very skilled...and doesn't really make me think of God, other than wishing for a rapture so I can stop listening to it.

Unknown said...

I'm glad I'm not the only one who thought the videos (all of them, and the powerpoint) were detracting. Well the Alpha one was ok.

As far as claping durring jazz concerts, I was alwas told the rule was, clap, cheer, whistle, whenever you're really moved by the music and want to be a part of it. That's just often right after the solo. But you can often hear someone yelling something like 'Play it baby' in the middle of a solo. Anyways. The opening band rocked.

AEP&J said...

And I thought it was because I was watching from the balcony.

The little Brazilian guy was great though!

Anonymous said...

Darryl, Darryl, Darryl, what's going on? Everyday I flip to my TYC spot as I would my daily newspaper, if I read a daily newspaper, looking for new insights into things I may not have thought of before or humorous antecdotes that only your perspective could provide and yet, here I am a week later and nothing? Sigh. Do you realise how difficult it is to get through my day? Not to put on any pressure but pick up the pace man! Oh, and seeing as how I, once again, shamelessly used this for purposes other than commenting on said blog I offer this.
Perhaps the girl is trying to communicate the level of intimacy that we can experience with God.

Darryl said...

*shuffling feet*

My bad.